ACADEMIC ARTICLES
Collecting Histories and the Market for Classical Antiquities
David W.J. Gill
Responding to Art Vandalism in British Museums and Galleries: A Survey of the Situation
Helen E. Scott
The Getty Kouros Mystery
Miranda Vitello
Copy versus Forgery: The Difficulty in Determining Motive with Regards to Modern
Iconography and Icon Collections
Riikka Köngäs
Faking History: How Provenance Forgery is Conning the Art World
Olivia Sladen
The Looting of the Iraq Museums:
An Examination of Efforts to Protect Universal Cultural Property
Simmy Swinder
REGULAR COLUMNS
An Empty Frame: Thinking About Art Crime
“Thoughts on the Leonardo Trial
Derek Fincham
Security & Safety Reflections
“Oxygen Reduction in Museum, Libraries, and Archives”
Ton Cremers
Context Matters
“Italy and the US: Reviewing Cultural Property Agreements”
David Gill
Cultural Heritage
“The Defense of Underwater Archaeological Heritage”
Colonel Giovanni Pastore
Lessons from the History of Art Crime
“Did the Nazis Steal the Mona Lisa?”
Noah Charney
Art Law and Policy
Donn Zaretsky
EDITORIAL ESSAYS
What’s in a Number?
John Kleberg
University Treasures
John Kleberg
After 40 Years, Revelations about the Lost Caravaggio
Judith Harris
The Returns to Italy from North America: An Overview
David W.J. Gill
REVIEWS
Nazi Plunder: Great Treasure Stories of World War II
America and the Return of Nazi Contraband: The Recovery of Europe’s Cultural Treasures
Douglas L. Yearwood reviews
Criminology and Archaeology: Studies in Looted Antiquities
The Restitution of Cultural Assets
Derek Fincham reviews
Confessions d’un voleur d’art (Confessions of an Art Thief)
Diane Joy Charney reviews
Le Front de l’Art, Defense des Collections Francaises 1939-1945
Rose Valland Resistante Pour l’Art
Rose Valland Capitaine Beaux-Arts
Rose Valland, l’espionne du musee du Jeu de Paume
Diane Joy Charney reviews
“Caravaggio at The Quirinale” Exhibition
Noah Charney reviews
EXTRAS
The Art We Must Protect: Top Ten Must-See Artworks in the USA
Noah Charney
ARCA profile of Ton Cremers
Mark Durney
Q&A with ICE’s Cultural Property,
Art and Antiquities Program Head of the Northeast, Special Agent Bonnie Goldblatt
Mark Durney
